[...] However, even if he is immersed in the rigid climate of formal reductions every now and then the artist return to his emotional skies and dilutes his lyrical breath in the evidence of well known reality: here we have the sudden, we could almost say uncontrolled yield quick of some still lives. Full of elements, made livid with colour, embedded and plugged in a rhythm, ground by the contractions of an 'autre' cubist geometry or again laid in widespread chromatic assonance’s, or limited in that measure, so typical of Cézanne which solves the image in the compactness of the objects, collected in a single figural nucleus. [...]

Carlo Giacomozzi    
                   
(from: E. Crispolti, Vincenzo Balsamo, monography, 1992, pp. 51-52, ed G. Corbelli)